How many musicians are there in jugalbandi

Despite the general decline of classical music, there have also been several more positive stories. When advocate Raza Kazim migrated to Pakistan from Lucknow in , among his prized possessions was a bunch of books and gramophone records of classical music featuring prominent artistes of the s and s. He went on not only to create an amazing collection of archival recordings, but also to begin extensive research into musicology and instrument-making. Through his several decades of intensive work, over a period of 35 years he evolved a new string instrument called the Sagar Veena.

This instrument uses nine wires, including some made of silver, iron and brass. Since the late s there has been something of a revival of interest in different genres of traditional music in Pakistan beyond the qawwali. New institutions, many of them private, have begun to promote various traditional forms; two of the more prominent public undertakings include the musicology department at the National College of Arts, in Lahore, and the National Academy of Performing Arts in Karachi.

Recently, these two institutions have begun a search for new talent to train. Perhaps even more exciting has been the new experimentations by young gharana musicians or classically trained vocalists such as Shafqat Amanat Ali, who have begun to fuse traditional and popular forms. While purists might be critical of such trends, the new approaches have indisputably done much to popularise the nuances of classical music among non-elite audiences in Pakistan — allowing these traditional forms to live on for at least another generation.

Yousuf Saeed is an independent filmmaker and researcher from New Delhi. Save my name, email, and website in this browser for the next time I comment. Jugalbandi: Divided scores. The Editors Jan 25, Wandering minstrel : Bade Ghulam Ali Khan, who post-Partition remained undecided about whether to settle in India or Pakistan Photo credit : Radio Pakistan Hindustani sangeet is an ancient art form that is performed and appreciated today across the modern political and socio-cultural borders of the region — representing a true Southasian cultural exchange.

Islamisation of music Artwork : Venantius J Pinto The initial period after Partition proved to be unfavourable for classical music as well as the musicians in Pakistan. The Editors. Leave a Reply Cancel reply Your email address will not be published. What you can do to Support our work Join us. Southasiasphere The Himal guide to the region. Latest Articles.

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Reshape Tomorrow Tomorrow is different. Let's reshape it today. Corning Gorilla Glass TougherTogether. ET India Inc. ET Engage. ET Secure IT. Panache Tech and Gadgets. Panache People The Artists. His great grandfather, the eminent Imdad Khan introduced a number of modifications to the sitar, and created new techniques and choices of ragas that furthered the popularity of the instrument throughout the 19 th and 20 th centuries.

Shahid Parvez, demonstrating prodigious talent at the age of three, was first trained in classical vocal music by his father and guru in the belief that the emotional directness and tonal nuance required in vocal music transfers to any instrument, forming the foundation of a truly accomplished musician. One of the more discernable ways Carnatic music differs from Hindustani is.

Born into a family in the lineage of the saint and composer of modern Carnatic music, Thyagaraja, Lalgudi was raised in an atmosphere rich in music.

His talent and innate brilliance was recognized early and musical training was undertaken by both his illustrious grandfather, Lalgudi Gopala Iyer and father, Lalgudi Jayaraman.

It is this enormous esthetic sense that delights audiences and has elevated him to the upper-most rank of performer.

Abhijit Banerjee will accompany Shahid on the tabla.