Why does beneatha call george a fool




















How does Mama react to Walter's explanation of where he's been? What does she give Walter, and how does Walter react to being entrusted with it? When Walter tells Travis that he wants to hand him the world, what sort of life is Waiter envisioning for his family? Beneatha and Ruth are busy packing when Ruth tells Beneatha how happy she is with the change in Walter. What are three examples that show Walter has changed in the past week? Why does Mr. Lindner come to the Youngers' apartment? Why don't the residents of Clybourne Park want the Youngers in their neighborhood?

How does Waiter react to Lindner's offer? What is significant about Mama's preparing her plant for the move as she listens to the details of the encounter with Lindner? How does Walter respond to Mama's determination? What gifts does the family give Mama? Why are the gifts appropriate? Why doesn't Walter answer the door immediately when the bell rings? Who is at the door? What news does this person bring, and how does W alter react to the news? How does Mama react, and to whom does she t urn to in this time of trouble?

Act III. When does Act III begin? What are Walter and Beneatha doing? How has the loss of the money changed Beneatha's optimism? What does she tell Asagai? What is Asagai's response? Throughout this scene, the stage directions say Walter is listening to Beneatha jik Asagai talk. What is Walter's reaction to their conversation? How does Asagai define idealists and realists?

Which group does he prefer to be associated with? What alternative view of the future does Asagai offer to put Beneatha's depression in perspective? Asagai leaves, and Walter comes into the living room. How does Beneatha attack Walter? What does Walter do? How is Mama's resignation evident in her changed physical appearance? Why does Mama put her plant back on the windowsill?

Who does Mama blame for the current situation, and how does she plan to deal with it? Up until now, Ruth has been the practical one. How does she react to Mama's resignation? When Walter arrives back home, what does he say he has done?

And what does Walter plan to do? Describe Walter's new view of life as being divided between the "takers" and the "tooken. What does Mama mean when she tells Waller that if he takes Lindner's money he will have nothing left inside? Beneatha says Walter is no brother of hers. When Lindner arrives, why does Mama insist that Travis stay in the room?

What does she believe about Walter? What does Walter tell Lindner? Why does Lindner decide to appeal to Mama? Ruth and Mama are shocked by Mrs. Johnson doesn't want to see the Youngers thrive or do well in a way she herself isn't. She seems to resent their desire to escape from the place where she herself lives.

Wearing a bathrobe, Beneatha enters from her bedroom and heads to the bathroom. After Beneatha exits, Mrs. Johnson criticizes the pride that Beneatha takes in her education, which Mrs. Johnson believes is excessive. In a change from her earlier stance, Mama rejects Mrs. Johnson exits. Beneatha reenters and Mama lightly scolds her behavior towards Mrs. Mama takes a stance against Mrs. Johnson and the KKK show the extent to which she believes assimilationist ideology is a scourge on the African-American community.

The telephone rings and Ruth answers it. She warns Ruth that Mr. Arnold that Walter has been very ill. Walter has lost all hope and motivation, completely abandoning his duties as a husband and father. As was evident during her conversation with Mrs. In the hopes of restoring part of his identity and self-esteem, Mama gives Walter control of the money, which gives him control over his future. Mama turns over the money and leadership of the family, allowing Walter to finally assume the role of an adult in the household, which is what he needs to be able to see himself as "man".

Related Quotes with Explanations. The possibility of achieving his dream reinvigorates Walter and permits him to regain his identity as a worthy husband and father. While Walter dreams of providing for his family, his dreams nonetheless revolve around markers of material wealth, such as cars and homes. It's also worth noting that he dreams of sending his son to college, though he mocks Beneatha's ambitions to get an education.

George tells Beneatha that she is too much of an intellectual and that men don't like opinionated, liberated women. He also says that Beneatha is a bit too "moody" and artistic; he tells her that he didn't ask her to go on a date with him to discuss her "thoughts.

Beneatha uses George's weak attempts to change her personality as the excuse that she needs to end their relationship.

Later, Beneatha is surprised that Mama agrees with her decision about George, which indicates a softening of the tensions that had previously plagued their relationship. The "Mrs. Johnson" character brings laughter to the scene, for she is a comical figure, but she also expresses sentiments that have always been prevalent in the black community.

She compares, for example, the overt racism of the south at that time with the covert racism found in the north. In , when this play opened, many blacks who had only recently left the south were surprised to find a different type of racism in the north. Johnson's implication is that it is easier to survive the blatant racism of a southern town than it is to be prepared for the hidden, and therefore more dangerous, racism of the urban ghettos.

After Mrs. He is overwhelmed and his sudden exuberance over this financial windfall leads him to share some of his many fantasies with Travis. Walter's already exaggerated dreams, however, suddenly turn into an avalanche of pitiful prattle. He says, for example, that one day he will come in from work, "home from my office downtown," and even Travis is incredulous as he reminds his father, "You don't work in no office, Daddy. The bigger the dream gets, the more preposterous it sounds because Walter soon begins to talk about his future gardener, to whom he has given the first name of "Jefferson.

Drop the Garbo routine When George Murchison admonishes Beneatha to "drop the Garbo routine," he is telling her to know her "place" as a woman. Beneatha intellectualizes everything, is clearly independent, does not defer to men, and argues whatever points of chauvinism she finds in her conversation with men.

George wants Beneatha to be more quiet and submissive. He implies in his speech that men do not like aggressive, independent, liberated women, and that if she ever hopes to get married and have a family, she is going to have to "drop the Garbo routine," meaning she will have to stop studying and thinking so much, and start acting "like a [submissive] woman. George proves to be as pedantic as Beneatha, peppering his arguments with literary allusions and oftentimes esoteric references — for example, calling Walter "Prometheus.

Of all the characters, Asagai appears to be the most serene, even when his is contemplating justifiable reasons for anxiety — that is, the political turmoil within his homeland and the possibility of his own death in his desire for his country's independence.

Note that Asagai calmly accepts whatever his fate might be and even becomes an inadvertent peacemaker when he diffuses Beneatha's vitriolic reaction to Walter's loss of the family's money. He's got a conked head A "conked head" refers to a hairstyle adopted by some black men during the forties and early fifties.

Because of what was defined as "self hatred" by psychologists who studied the phenomenon, oftentimes a group that believes itself to be oppressed will mimic the life-style and, sometimes, even mimic the appearance of the "dominant group.

Many times though, men within the criminal element in the black community also wore their hair in this "conked" style when the style became a symbol of affluence. As a result, people within the black community often had negative perceptions about those who adopted this style.

If those men were not a part of the entertainment industry, they were either denizens of the underworld or full-fledged or potential gangsters.



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